A comedic concatenation of 25 skits, short stories, and ballads (solid meter, strict rhyme, and no redeeming social value; do not confuse this with “poetry” [heh, heh]). A little fantasy, a dash of SciFi, and most all of it quite off-the-wall. And the title piece? A full-length screenplay, because, well, it’s about time someone told the truth about Robin Hood.
Now out — Available for order at local bookstores or from Amazon:
Medical thriller. Desperate researchers resort to unethical means to fight a unique new plague.
Because it’s about saving lives, not being a hero.
Not out yet — maybe soonish?
Other stuff? Finished RIPPLE IN THE SEA, a young adult historical. Horrified over her mother’s treason, desperate to redeem her family’s honor, a Japanese-American girl infiltrates a WWII Japanese prisoner-of-war camp to free victims of medical experiments. (That’s the plan, anyway.) Shopping it around for a while yet.
“Interview With a Biochemist” in The Leading Edge (science fiction and fantasy magazine, Issue 22, Fall 1990)
“O’Connor’s Last Quest” in Figment (science fiction and fantasy magazine, #11, Fall 1992)
“Shame” in “Towers of Darkover” anthology (edited by Marion Zimmer Bradley)
“The Stratmoor Bear” in “Sword and Sorceress XI” anthology (edited by Marion Zimmer Bradley)
The latter two have been translated and reprinted in Germany, Italy, and France, so I’ve written stuff I can no longer read. Ha!
Several screenplays have done well in various contests, from honorable mention to quarterfinalist status (and grand prize in one tiny contest). In fact, both SCOURGE and Part I of RIPPLE IN THE SEA were first drafted as screenplays. If you’re a writer, this is great training for “show, don’t tell.”
And then, like all writers, there are other things in the drawer. Or on a memory stick. Let’s get with the times, people. 😉